Blues Pills: Lady in Gold (Nuclear Blast) Review
Blues Pills have an interesting history, in that their story began here in Iowa, with a couple of brothers, Zack Anderson and Cory Berry,...
The Claypool Lennon Delirium: Monolith of Phobos (ATO) Review
I was a big fan of Sean Lennon’s 1998 album, Into the Sun. There was a lot of whimsy, and a lot of relaxed...
Radiohead: A Moon Shaped Pool (XL) Review
The new Radiohead album came out today, after a long gap (King of Limbs, their last album, came out in 2011) and some...
The Last Shadow Puppets: Everything You’ve Come to Expect (Domino) Review
Eight years ago a side project album sort of came out of nowhere, a debut by The Last Shadow Puppets titled The Age of...
Thao & The Get Down Stay Down: A Man Alive (Ribbon) Review
If you follow the career of Thao Nguyen, then you have restless ears.
Through a string of albums as a solo artist, with her band...
Yoko Ono: Yes, I’m a Witch Too (Manimal) Review
For being 83 years old, Yoko Ono hasn’t exactly been slowing down. In the last six years alone, she’s released tons of new music,...
Modern Jazz and the Butterfly Effect
David Bowie’s producer Tony Visconti said that, while recording Bowie’s last album, Blackstar (read our review here), they were listening to Kendrick Lamar’s To...
An Artful Death: David Bowie’s Blackstar
David Bowie was creating art up until the moment he died, and you could make a solid argument that he’s continued past that. It...
